Sculpting: Where to begin?
I know that the very idea of sculpting with glass can seem daunting to a beginner. Where do you start? I faced this very same situation when I was a beginner and my artistic ambitions led me in that direction. My answer? Just do it!
Dive in and don’t be afraid to make something that is totally hideous and unrecognizable. Don’t worry if your glass falls off the mandrel or you light your table on fire (although DO stop and put it out before continuing) or if you pull so hard that your bead release breaks and your mandrel twists up like a pretzel. Those are all things that WILL happen, so don’t fight it, don’t be afraid of it, just GO with it, it’s how you will learn.
Having said all of that though, I will now rein it in just a tad and suggest that, while letting yourself go and “just doing it”, you begin with something fairly simple and attainable. Having big dreams and ambitions is a wonderful, healthy thing, but let’s face it, Leonardo da Vinci probably did not paint the Mona Lisa without first drawing a stick figure or two.

How did I begin?

![]()
I made turtles…
This my friends is as simple as it gets, sculpturally speaking. I would encourage all who wish to learn the fine art of sculpting to go forth and make turtles. What you are actually making is a round bead with a large dot for the head, four dots around the bottom, which are lightly flattened, for feet and a black dot on top of a white dot for eyes.
I say simple but honestly, when I first made these, I was sweating bullets. I was worried the whole time that the bead would crack (I was still working on a HH at this point), it felt strange to hold the mandrel relatively still while working on the head and feet. We learn from the very beginning to keep the mandrel rotating constantly, but with sculptural work that’s not really necessary. It’s really ok to stop rotating the mandrel, it’s ok to hold the mandrel in weird positions, as opposed to trying to keep it horizontal so your bead will stay balanced. Many of these “rules” tend to fly out the window with sculptural work. The most important element of sculptural work is learning heat control, maintaining just enough, but not too much (I will talk more about this in the future). The second most important thing is to RELAX… With every turtle I made I learned to relax a bit more and I gained the confidence to try even more complex shapes.
For me, these little guys represented a “breaking free” from the conformity of the standard lampworked bead, I felt like I was walking on air when I finished my very first turtle.
Don’t get me wrong, I spent about 6 months as a beginner, learning to make all the standard shapes, learning to make a neat footprint, learning to keep a round bead well rounded, learning to apply stringer and to do dot work, learning to use hand tools, learning to keep my beads warm so they wouldn’t crack, but not so warm that they dripped off the mandrel like honey. All of these things are very important to learn, if you intend to do your sculpting on a mandrel. It’s time well spent and will only help you venture out into new areas, so don’t neglect the basics.
By the way, the little green turtle was made using the techniques from my tutorial on copper leaf. The difference is that I used Effetre transparent Pale Emerald Green glass for the base, I applied a transparent green enamel from Thompson’s Enamels, then rolled the bead in copper leaf and burned it in, then I rolled the bead in some rather course homemade Vetro Crystal Clear frit. The green enamel tends to congregate between the cracks where the frit comes together and it looks like dark veins. Sort of like moss agate. It’s really beautiful. Feel free to use this combination however you like.
I have much more to say on the subject of sculpting and I will continue over the next weeks and months to write about it. I am starting at the beginning, which seems like the right place to begin, and will slowly work into more complex aspects. I would love to recieve questions that are specific to sculpting as they will help to structure what I write about. If there is something you’d like me to cover, just ask and if I can, I will.
Edited 11/10/09 – (I’ve recently continued what I began with this post, I’ve made a few changes to my original plans for this column, I’ve renamed it “Tuesday’s Torch Tips” and it’s now a weekly column offering tips and thoughts on many subjects including; sculpting, design, photography, marketing, selling, etc.)


Thanks for doing this!!!
It is much appreciated by everyone!!
Hi Teresa
I am so glad you are doing this, its really interesting to read how you have got to where you are, its great, thanks so much.
Thank you Susan and Leslie, I enjoy doing it and it’s nice to know it is appreciated :O)
I love turtles and I think your first attempt at sculpting turned out really great!!
Christine
http://www.mastersglassart.com
love the turtles, I would love to follow your blog but I don’t see a place to be a follower, am I missing it somewhere.
Sandra
Hi Sandra, thank you!
No I don’t have the “follow me” thing. I can’t figure out how to add it to my blog. You can subscribe to my blog with a reader like Google reader or Sage. That’s what I use to follow the blogs I read.
I am a beginner, as I have my first class working with glass in 3 weeks. I was looking for a class on sculpting with glass but all I could find was Beginning Lamp working with borosilicate glass. I figure I need to start some where. Are there any books on sculpting with glass. I have contacted every shop that teaches glass work, but they do not have an instructor that teaches sculpting? Any recommendations.
I can’t think of any books that deal with sculpting on a small scale, sorry!
Thank’s Teresa
This is helpful, and I love the turtles.
Katja
Thank you Katja, have fun with the turtles, they’re really fun to make :O)
Hi,
I like the medium of glass, but have not the faintest clue as to where to begin sculpting, which is my big desire. Could you give me some idea where there is a class in Perth WA? I do not know what a mandrel is, but it sounds like it is a tool. Where does one purchase a blow torch and what other equipment is necessary? I was thinking of putting my glass 2-D designs into a kiln, but I have no idea how hot it should be or what glues would survive the heat necessary to melt the glass. Please note my email address below. The one I have used to send you this comment is borrowed from someone else. I am very appreciative of any information you could send me.
Hi, I’m sorry I’m not sure where you could take a class in your area, I live in Germany so I’m not familiar with the teaching studios in the US. I would recommend that you check out the Lampwork Etc. Forum (you can find the link in my links section). There you could ask about local classes. Since you are just starting out, you would need to take a beginners class and not worry about sculpting right away, just learn the basics of lampworking. I’m sure there are several places in your area where you can learn. I would also recommend the book “Making Glass Beads” by Cindy Jenkins to help you get started. If you don’t want to spend money on a book right now, just spend time on the Lampwork etc. forum. You can learn alot there. Ask questions and read through the tips and tutorial sections. That’s pretty much how I started.
I was going to send this to you privately but I don’t see your address, sorry!